Diana Burrell

Freelance magazine writer and author

Off for the summer!

Written By: dianaburrell - May• 08•13

Well, not quite.

Rock Solid QueriesI have a busy group of students in my May Become an Idea Machine class, but then once that’s over, I’m taking the summer off from teaching to work on a couple book projects after a successful launch of my first book with the Renegade Writer Press, Rock-Solid Queries: The 10 Surprising Reasons Why Magazine Editors Reject Your Ideas … and How to Write Queries That Get More Acceptances TodayIt’s getting great reviews and at only $2.99, you’ll learn a few secrets to beating the submissions game with editors. That’s less than a cup of coffee!

Writers Guide - High ResolutionI’m releasing my book The Writer’s Guide to Pseudonyms early this summer, and with lots of interviewing and writing ahead of me, I need to focus to make this deadline. Then it’s back to work on my fiction projects. Yes, I write fiction under a pseudonym, thus why I’m writing a nonfiction book on the subject.

If you’d be interested in taking the idea class this July, however, please drop me a line at dianaburrell at gmail dot com. If there’s enough interest and my schedule frees up, I could be convinced to run a summer class. Plus, y’all know how much I love to write. ;-)

A few more spaces left in Become an Idea Machine class starting May 6

Written By: dianaburrell - May• 02•13

I’m taking the summer off from teaching to work on book projects, so if you’re wanting to get a jump on idea generation before the fall, note that I’ve got only a few spaces left in my May class. My April class sold out the week before class started.

If you’re interested in the September class, e-mail me at dianaburrell at gmail dot com and I’ll e-mail you in early August when I have the dates set.

Last Become an Idea Machine class this spring starts May 6

Written By: dianaburrell - Apr• 15•13

I’ve received requests to offer a May class, so here it is folks, starting on May 6. The next time I’ll be teaching this class is September since I need June, July and August free to work on some book projects. My April class filled up fast; it closed the week before the class started and not everyone on the waiting list got a spot.

Whether you’ve been feeling ho-hum about the ideas you’re pitching to editors or you’re a new writer who’s floundering in a sea of insecurity about the quality of your stories, this workshop can help. For $149, you’ll get access to a weekly web-based workshop, complete with idea-generating exercises, that will help you build up the quantity and develop the quality of your story ideas. In addition, you have three weeks of e-mail support where I’ll answer your questions, help you shape ideas, suggest possible markets for your stories, and give you the confidence to go forth and conquer your fears about querying.

Who does best in this workshop? The dividing line isn’t between those who have previous freelancing experience and those who have zero or few clips. The students who shine are those who are extremely self-motivated, who aren’t afraid to push through the hard work of the first week. Moreover, my successful students are the ones who ask the most questions and who aren’t shy about participating. You know that saying, “You get what you put into it”? That’s definitely true for my workshop, because no matter how much I reach out to you, you’re not going to walk away with an arsenal of ideas if you don’t put forth the effort required. And I’m not kidding you — it’s hard work.

But the hard work is worth it. The students I’ve worked with who’ve given the workshop their all have gone on to sell stories they developed in this class to outlets like Woman’s Day, Parenting, Saveur, New Scientist, Yankee, Health, the Washington Post, the Vancouver Sun, the Boston Globe (two students), and the New York Times (actually three of my students have sold four major stories to the NYT!). And while some of my students were established freelancers, several were not. They were highly motivated students with good writing skills who, despite their fears and insecurities, made the leap from unpublished to published by pushing themselves harder than they thought they could and by following my advice.

Want to learn more? Download my FAQ, and if you’re ready to take your freelancing career to a new level in 2013, sign up here. If you need some extra hand-holding, I also offer this class with phone support. For an additional $150, you get three :30 minute phone sessions that you can spread out over three weeks so we can talk through your ideas over the phone.

Sign up today to ensure your spot!

Become an Idea Machine class FULL

Written By: dianaburrell - Apr• 02•13

I’ve closed registration for my April Become an Idea Machine class, but it looks like enough writers are interested in a May class so I’ll be posting dates here within the next couple weeks. I won’t be teaching again until September so I can focus on some book projects, so if you’re interested in this class, check back often. :)

Only two spots left in Become an Idea Machine class starting April 8

Written By: dianaburrell - Mar• 30•13

Wow, I guess spring has made everyone want to dig into their idea files! This last week saw a rush of signups for my Become an Idea Machine class starting April 8, and when I just counted my students I saw that I had two spots left. So if you want one, sign up fast. I usually get most of my signups the week before a class starts, fwiw.

I’ve received a number of requests for a May class, so next week I’ll post the dates. Then I’ll be taking the rest of the spring and summer off to work on my own writing. :)

New post on Renegade Writer blog

Written By: dianaburrell - Mar• 26•13

Ooops, in the craziness of yesterday I forgot to mention that I had a post on the Renegade Writer website, “If You Love Writing, Should You Still Get Paid for It?” It’s not often I can say this, but I actually had fun writing this one. It’s also gratifying that it hit a nerve with a lot of writers so I’ve been getting a lot of fan mail, which is always nice. I think what a lot of writers are missing, though, is this is not a rant against sites asking for writers to write for free, but more a declaration that I don’t give a fig what people think about my job or how I run my business. I look at my work like the IRS does — an entity that makes income for which I have to pay taxes. It’s just what I do because, frankly, I’m ill-equipped for anything else.

But I’m still a little happy people like what I’ve written. ;-)

Changes, big and small

Written By: dianaburrell - Mar• 23•13

Last night I made a couple revisions to my FAQ … actually, my whole blog now that I look at it! I’ve been getting a lot of e-mails from writers who want to know how I got freelancing work with Cook’s Illustrated and can I share some tips for landing an assignment. Were it that easy! So if your dream assignment is writing for Cook’s Illustrated, go read what I have to say about it here.

Also, if you’re an expert or author in search of a co-author or ghostwriter for your next project, I’m no longer in the market for those opportunities. Last year my co-author Linda Formichelli and I started our own publishing company to support our Renegade Writer brand. With two books of my own to develop, write, and produce, plus editing Linda’s books, I just don’t have room for any more projects on my plate right now and for the foreseeable future.

Speaking of those two books: I released ROCK-SOLID QUERIES earlier this month. I just checked Amazon.com and it’s currently ranked #5 on Kindle’s bestsellers list for journalism. Nice! Thanks to all of you who’ve bought a copy. If you liked it, I hope you will leave a nice review for it.

Writers Guide - High Resolution

And right now I’m hard at work on this book, The Writer’s Guide to Pseudonyms, which I plan to release later this spring. I bet many of you don’t know that Diana Burrell isn’t my legal name. Technically, it’s my maiden name and not technically a pseudonym because I don’t use it to disguise my identity as a journalist. But what most people don’t know–including most of my friends and family–is that I write fiction under a pseudonym/pen name/nom de plume. For various reasons that I’ll explain in the book, I do not want people knowing that I’m the person behind my pseudonym. (And please don’t ask me to tell you: I haven’t even told my own husband, mother, and best friend what it is.)

I’ve learned a lot in my years working as a journalist, nonfiction writer, and fiction author, so this book will be filled with valuable tips and advice on everything from deciding to use a pseudonym for the right reasons (and how some of the wrong reasons can bite you in the behind!), how to choose an appropriate name, how to set up accounts ranging from bank and PayPal accounts to Facebook, Goodreads, and Amazon’s Kindle Direct Program, and so much more.

Stay tuned for more details!

Lastly, my April class is filling up fast. I was thinking of taking the rest of the spring and summer off and start teaching again in September, but there is a small chance I may teach one last class in May, then hang my hat up for awhile. If you’re interested in a May class, please leave a comment below or e-mail me at dianaburrell[at]gmail[dot]com.

Next Become an Idea Machine class scheduled for April 8

Written By: dianaburrell - Mar• 12•13

The next Become an Idea Machine workshop has been scheduled to start on Monday, April 8, 2013. (BTW, I may not be teaching until September to focus on book projects, so if you’re on the fence …)

Whether you’ve been feeling ho-hum about the ideas you’re pitching to editors or you’re a new writer who’s floundering in a sea of insecurity about the quality of your stories, this workshop can help. For $149, you’ll get access to a weekly web-based workshop, complete with idea-generating exercises, that will help you build up the quantity and develop the quality of your story ideas. In addition, you have three weeks of e-mail support where I’ll answer your questions, help you shape ideas, suggest possible markets for your stories, and give you the confidence to go forth and conquer your fears about querying.

Who does best in this workshop? The dividing line isn’t between those who have previous freelancing experience and those who have zero or few clips. The students who shine are those who are extremely self-motivated, who aren’t afraid to push through the hard work of the first week. Moreover, my successful students are the ones who ask the most questions and who aren’t shy about participating. You know that saying, “You get what you put into it”? That’s definitely true for my workshop, because no matter how much I reach out to you, you’re not going to walk away with an arsenal of ideas if you don’t put forth the effort required. And I’m not kidding you — it’s hard work.

But the hard work is worth it. The students I’ve worked with who’ve given the workshop their all have gone on to sell stories they developed in this class to outlets like Woman’s Day, Parenting, Saveur, New Scientist, Yankee, Health, the Washington Post, the Vancouver Sun, the Boston Globe (two students), and the New York Times (actually three of my students have sold four major stories to the NYT!). And while some of my students were established freelancers, several were not. They were highly motivated students with good writing skills who, despite their fears and insecurities, made the leap from unpublished to published by pushing themselves harder than they thought they could and by following my advice.

Want to learn more? Download my FAQ, and if you’re ready to take your freelancing career to a new level in 2013, sign up here. If you need some extra hand-holding, I also offer this class with phone support. For an additional $150, you get three :30 minute phone sessions that you can spread out over three weeks so we can talk through your ideas over the phone.

Sign up today to ensure your spot!

ROCK-SOLID QUERIES is here!

Written By: dianaburrell - Feb• 21•13

Rock Solid Queries

After many months of trying to fit writing a book around teaching, I’ve finally done it. This week I finished ROCK-SOLID QUERIES: The 10 Surprising Reasons Why Magazine Editors Reject Your Ideas … and How to Write Queries That Get More Acceptances Today! (Whew, that’s a mouthful.) I shook off the winter doldrums in January and pounded out the rest of the book like a madwoman.

Let’s just hope it doesn’t read like the rants of a madwoman!

The background: so many writers complain they write perfectly good queries that get rejected without any reason given, except maybe with, “Thanks, but no thanks.” I’ve seen it myself, with my own and my friend’s pitches, as well as with my students’ work. It’s maddening!

However, editors just don’t have that much time to point out to writers why their queries didn’t make the cut. It’s true, too, that editors don’t like delivering bad news so they often keep rejections short and neutral; hey, they’ve got feelings, too. Sometimes their reasons have nothing to do with the story, the writer, or the quality of the writing. The query can be absolutely wonderful, but the editor had to say no. She just can tell you why exactly she said no.

My book explains some of the surprising reasons why editors reject, but even better, it gives writers tips and strategies to help prevent editors from saying no in the first place. These tips and strategies I’ve used with my own writing, and they’ve been successful with the hundreds of students I’ve worked with in my Become an Idea Machine workshop.

Last year, my co-author Linda Formichelli and I  got the rights back to our two Renegade Writer books because of a contract violation. We’d longed to expand the Renegade Writer brand, which was a trusted and valued source of information and advice for freelance magazine writers, but we were handcuffed to our publisher’s vision of what was right for us. Breaking free of that bond has given us a fresh start. The Renegade Writer Press has published The Renegade Writer (Kindle/Nook) and Query Letters That Rock (Kindle) electronically. And this is my first sole title under the RWP umbrella, so I’m pretty excited.

If you’re a freelance writer who’s frustrated by rejections, I hope you’ll give ROCK-SOLID QUERIES a read. At $1.99, it costs less than a Frappuccino. And if you love it, please do leave your positive review at Amazon — you’ll make my day!

March 2013 Become an Idea Machine workshop open for registration

Written By: dianaburrell - Feb• 18•13

The next Become an Idea Machine workshop has been scheduled to start on Monday, March 11, 2013.

Whether you’ve been feeling ho-hum about the ideas you’re pitching to editors or you’re a new writer who’s floundering in a sea of insecurity about the quality of your stories, this workshop can help. For $149, you’ll get access to a weekly web-based workshop, complete with idea-generating exercises, that will help you build up the quantity and develop the quality of your story ideas. In addition, you have three weeks of e-mail support where I’ll answer your questions, help you shape ideas, suggest possible markets for your stories, and give you the confidence to go forth and conquer your fears about querying.

Who does best in this workshop? The dividing line isn’t between those who have previous freelancing experience and those who have zero or few clips. The students who shine are those who are extremely self-motivated, who aren’t afraid to push through the hard work of the first week. Moreover, my successful students are the ones who ask the most questions and who aren’t shy about participating. You know that saying, “You get what you put into it”? That’s definitely true for my workshop, because no matter how much I reach out to you, you’re not going to walk away with an arsenal of ideas if you don’t put forth the effort required. And I’m not kidding you — it’s hard work.

But the hard work is worth it. The students I’ve worked with who’ve given the workshop their all have gone on to sell stories they developed in this class to outlets like Woman’s Day, Parenting, Saveur, New Scientist, Yankee, Health, the Washington Post, the Boston Globe, and the New York Times (actually three of my students have sold four major stories to the NYT!). And while some of my students were established freelancers, several were not. They were highly motivated students with good writing skills who, despite their fears and insecurities, made the leap from unpublished to published by pushing themselves harder than they thought they could and by following my advice.

Want to learn more? Download my FAQ, and if you’re ready to take your freelancing career to a new level in 2013, sign up here. If you need some extra hand-holding, I also offer this class with phone support. For an additional $150, you get three :30 minute phone sessions that you can spread out over three weeks so we can talk through your ideas over the phone.

Sign up today to ensure your spot!